ep-341 Max/MSP – Spring 2015 week 12

(under construction)

Algorithmic composition and generative music – part 1

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  • This week we will explore probability, randomness, and sequencing.
  • Next week we will look at audio reactive music
  • In part 3 We will sonify data and gestures

That’s a lot of buzzwords.

How do people compose music?
  • What is your composition tool/method of choice?
  • Dramatic shape https://reactivemusic.net/?p=17176
  • “How to Write a Song” By Henry Kane, 1962
  • “This is Your Brain on Music” by Daniel Levitin
3 approaches

Chris Dobrian  https://reactivemusic.net/?p=18914

  • systematic
  • intuitive
  • arbitrary
Framing the process of composition
Examples

The earliest examples of algorithmic composition applied mathematics to pitch, rhythym, harmony, and ensemble playing. Midi was an ideal medium for mathematical transformations. The examples we look at today are for the most part Midi based.

Composing with Max
Markov chains
  • Fuji Kureta: MarkovChain 2-fuji-kureta.maxpat (using Midi piano scores) debussy-cc4-format0.mid (The snow is dancing)
  • Mchain external by Richard Dudas – https://reactivemusic.net/?p=18926
    • text
    • interactive midi notes
References

Assignment

Design a generative music machine.

I would encourage you to collaborate. To use the work of other artists as a starting point. And to build a composition/performance tool that you would actually use.

This assignment will be due on the last class day of the semester (May 5th).