Tag: music production

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Videosync remix projects

New experiments using Videosync with Ableton Live.

A remix of “Gappa the Triphibian Monster”, 1967 directed by Haruyasu Noguchi. Produced using Ableton Live 12 and Videosync. Editing was done using LosslessCut for slicing and CapCut for editing. The underwater sequence uses the Ableton Audio Effects Rack: “Dawn Shimmers”.

Yet another remix of “Invasion of The Neptune Men” by Koji Ota. Produced with Videosync, Ableton Live, and Lossless Cut. The editing was done entirely in Live. Probably not a great way to do extensive video edits. And there was some trouble with Live 11, but the problems resolved by installing Live 12.

Another tribute to “The Invasion of The Neptune Men” by Koji Ota Produced with Videosync in Ableton Live. This was my first effort with Videosync. I tried to edit the video based on the sounds of the clips.

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Recording Ableton Videosync output

Video recording options for Videosync in Ableton Live

Syphon Recorder.

https://syphon.github.io/recorder

  1. In Videosync preferences, set master Syphon out.
  2. In syphonrecorder set Videosync master as input.
  3. In syphonrecorder set virtual audio as input (eg., blackhole 2ch)
  4. In Ableton, set blackhole 2ch as audio output (or make a multioutput device in audoMidiSetup, combining headphones and blackhole.)

Vizzie Recorder.

(see this post about Vizzie Syphon abstractions https://reactivemusic.net/wp-admin/post.php?post=20896&action=edit)

  1. setup a Syphon client in Max
  2. Use abstractions to bring video into Vizzie. and use Vizzie recorder object.
  3. Route audio as described above.

Screenflick (or other screen recording software)

  1. Set screenflick to overlay videosync output window in Ableton Live
  2. Route audio as described above.
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Milford Graves Experiment

Milford Graves was one of my all time favorite musicians. His approach to percussion, and music generally, was unique in a way that defies explanation.

I sampled a bunch of clips of his drumming into Ableton live and then experimented with the Buffer Shuffler 2.0 device to see if I could randomize small slices, ie., several seconds each, of longer samples – without losing the “texture” of the original recordings.

Here is an example of what it sounds like:

This video shows a clip from David Murray’s “Real Deal” running through Buffer Shuffler using slices only about 2-3 seconds in length. The slicing rate is just arbitrary, since there is no warping or specific clock pulse.

Local files: tkzic/aardvark/milfordgraves1 project/milfordgraves1a.als

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Six song country mashup

“Sure Be Cool If You Did”- Blake Shelton
“Drunk on You”- Luke Bryan
“Chillin’ It”- Cole Swindell
“Close Your Eyes”- Parmalee
“This is How We Roll”- Florida Georgia Line
“Ready, Set, Roll”- Chase Rice

Remix By Sir Mashalot

Here’s what the track looks like in the Infinite Jukebox http://labs.echonest.com/Uploader/index.html

Screen Shot 2015-01-09 at 11.25.13 PM

Local file: Max teaching examples/new-country-mashup.mp3

reddit’s view: http://www.reddit.com/r/videos/comments/2rrca5/damning_evidence_of_how_formulaic_pop_country_has/