Step sequencer in Max with probability based decisions for each instrument.
By Iannis Ionnides http://www.yiannisioannides.com
Download drum machine app: http://www.mediafire.com/download/zkks7kqk9n9psyn/Probability+Audio+Drum+Machine.zip
The Max patch is not available. Here is a link to a patch that shows how the probability engine probably works: https://reactivemusic.net/?p=18909
By Dana Lee
By Christopher Konopka
Slow scan television simulation using Jitter.
See this Cycling 74 forum post for an explanation of how frame rate is limited by audio sample rate and horizontal resolution: https://cycling74.com/forums/topic/jit-poke-vertical-bars-at-high-scan-frequencies/
https://github.com/tkzic/max-projects
Folder: sstv
Patches:
Note – set your audio sample rate to 96KHz if possible, to get the results described above.
Animators: Joseph Pelling & Becky Sloan.
One of my favorites:
By Tame Impala
“The film is made up from over 1000 separate plasticine collages all individually made by hand.”
Links to shared projects from ad agencies and design companies.
By Blair Neal
By Memo Atken at The Mega Super Awesome Visuals Company http://www.msavisuals.com/category/work/by-type/#Selectedworks
“It’s basically a vertex shader, so can’t be used as a pixelshader in vvvv, but could be used as a vertex shader in vvvv. You would have to convert the code from GLSL to HLSL though. The GLSL code is on my site (link above), but actually if you need HLSL you can find loads of similar radial distortion samples on the web (Alex has links to a few more superior radial deformations on his blog, again link above).
In this video the GLSL is simply deforming the sphere and rendering with a very basic flat shading, it’s VDMX which is doing the audio analysis and animating the parameters of the GLSL shader… and taking the flat rendered sphere and applying quite a bit of post effects to get this look.”
