Why do elephant sounds travel so far? This may also explain why certain people are louder than others.
By Stephanie Pappas at MSNBC
http://www.msnbc.msn.com/id/48469110/ns/technology_and_science-science/#.UB1CVKBdCdA
Why do elephant sounds travel so far? This may also explain why certain people are louder than others.
By Stephanie Pappas at MSNBC
http://www.msnbc.msn.com/id/48469110/ns/technology_and_science-science/#.UB1CVKBdCdA
I have installed the latest csound~ object in Max -from:
http://www.davixology.com/csound%7E.html
Installed the float version to: ~tkzic/csound/max folder
todo: get the csound for live object running and find out where the catalog is stored, or order the CD.
Everything is at http://www.csoundforlive.com/ Or: http://www.csounds.com/
By Victor Lazarazini at The Audio Programming Blog
http://audioprograming.wordpress.com/2012/04/03/csound-ios-sdk-released/
Osc interface for Max and Ableton Live
By Ryan Challinor
http://synapsekinect.tumblr.com/post/6307790318/synapse-for-kinect
Synapse is an open source skeleton driver that sends out skeleton data via OSC. The data can then be processed in Max or M4L. There are interesting M4L devices available in a set called dubkinect that demonstrates body movement controlling Midi devices and triggering clips.
Using this technique today I was able to create a 3D air piano. You can send the Kinect data from Synapse into QuartzComposer at the same time you are doing the M4L audio program.
The Beat Wheel (by Ryan Challinor) : http://youtu.be/napIffdEHdk
code: http://wiki.musichackday.org/index.php?title=Kinect_BeatWheel
Note: the code crashed in Max6 but worked fine in Max5 on this 30th of July…
(Edit 9/24/2012) Just started looking at the patch for beatWheel – need to parse out the hand movement stuff and also look at the Max for Live dubkinect stuff to get a better sense of what the OSC commands are and the data range for various movements.
Woodwinds, brass, strings, percussion, piano/other, soundmines
At University of Iowa.
By Brad Garton and Bryan Jacobs at Columbia University
http://music.columbia.edu/cmc/courses/g6610/fall2011/index.html
Software examples: http://music.columbia.edu/~brad/software/index.html
“…Too much quiet can drive you crazy – or at least make you hallucinate.”
By Alexander Davies at Discovery News
I, V, VI-, IV
variations:
An academic explanation: http://en.wikipedia.org/wiki/Pop-punk_chord_progression
And this…