The Biggest Optical Feedback Loop in the World
By Blair Neal
http://blairneal.com/blog/the-biggest-optical-feedback-loop-in-the-world/
Various methods of separating foreground from background.
By Andrew Benson
https://cycling74.com/2009/10/26/making-connections-camera-data/
By Jean-Marc Pelletier
Extract edge pixels from a binary image
Isolate a single connected component from a binary image
(a sock-monkey)
Synapse http://synapsekinect.tumblr.com
by Ryan Challinor
(Using jit.synapse from: http://synapsekinect.tumblr.com/post/6307752257/maxmsp-jitter – Can you find the sock monkey?)
Audio simulation of an RF circuit.
The simulation serves no purpose, but its fun. There are 4 versions. I think the third one sounds best (rf-mixer-sim3.maxpat). Its interesting to hear how much spectral distortion happens from multiplying sawtooth waves.
https://github.com/tkzic/max-projects/
folder: rf-mixer
Note: please set the signal vector size to 1 (or as low as possible) and enable overdrive and audio interrupt
Four versions:
“The NE602 could very well become the RF experimenter’s ‘555’ chip”
From “Electronics Now”, February 1997, by Joseph J. Carr
Note: If you are searching for NE602, try the following variations:
As well as any of the above with the suffixes AN, or AD, for example: NE602AN
“Abstract cinema, generative systems, and interactive visuals.”
By Brecht Debackere
http://www.autofasurer.net/wp/
harmonograph: http://www.autofasurer.net/wp/?cat=3&paged=4
“Re-order Max patchers on the fly without interruptions.”
By LeafcutterJohn
Download patch: http://leafcutterjohn.com/?p=1778
By LeafcutterJohn
Download patch: http://leafcutterjohn.com/?p=1914
(local file in max teaching examples/simple-number-sorting.maxpat)
Circuit design by Ray Ring
The audio is playing through headphones here, so you can’t hear the excellent signal quality
I didn’t have the OpAmp called for in the circuit, so I built this audio amplifier designed by Dean Segovis: http://hackaweek.com/hacks/?p=131
The antenna was a piece of wire about 30 feet long.
An air variable capacitor was used for tuning.
More to come…
Yet another Basic synthesizer design
See part 1 here: https://reactivemusic.net/?p=18511
waveform~ object
record~ object.
How to design voice activated recording?
groove~ (Max 7 only)
M4L preset management: https://reactivemusic.net/?p=18557
poly~ object
https://reactivemusic.net/?p=11732
local: poly-generic-example1.maxpat (polyphonic)
Wave~ sample player: https://reactivemusic.net/?p=18354
local: m4l: poly-synth1.als (aaa-polysynth2.amxd)
automation and UI design (review)
Distributing M4L devices
How to create a Live ‘Pack’
by Winksound
Max/MSP, Jitter, Processing, and OSC
By Peter Wiessenthaner