The Anaconda segment starts at 16:14
from Mutual of Omaha’s “Wild Kingdom”
By D. W. MacKinnon from “Genius and Eminence”
“One of the most striking observations we have made is that the creative person seldom fits the layman’s stereotype of him. In out experience he is not the emotionally unstable, sloppy, loose-jointed Bohemian. More often it is the unoriginal and uncreative person who appears to be artistic, clever, emotional, whereas we discover ourselves using such adjectives as deliberate, reserved, industrious, and thorough to describe truly original and creative persons. Among ourselves we have jokingly described this cluster of traits characteristic of the creative person as “the briefcase syndrome of creativity” — closer, if you will, to the notion of professional responsibility than to the Greenwich Village Bohemian or to the North Beach Beatnik.
The truly creative individual has an image of himself as a responsible person with a sense of destiny about himself as a human being. This includes a degree of resoluteness and almost inevitably a measure of egotism. But over and above these there is a belief in the foregone certainty of the wroth and validity of one’s creative efforts. This is not to say that our creative subjects have been spared periods of frustration and depression when blocked in their creative striving, but only that overriding these moods has been an unquestioning commitment to their creative endeavor.”
By John Cleese
McKinnon: ability to play, childlike purposeless exploration.
Open mode and closed mode: You can’t be creative in the closed mode. You can’t get any focused work done in the open mode.
To get into the open mode you need:
What is the point of solemnity?
Notes by by Maria Popova at Brainpickings
By David Kiefaber at Ad Week
Generate random chord progressions.
By Mike Gleson at Drumbot
I keep coming back to it and clicking on the dice thing to randomize the chords and there’s something spellbinding about it. The transitions between unrelated chords affect some primitive part of the brain.
Using two pianos – or any non verbal device – communicate simple messages. For example, convey an emotion, a shape, a need, a state of mind, a story. Like charades, but not focused on words, objects or things.
By Bob Woody at beingmusicalbeinghuman.com
part 2 – not as spontaneous as you think.
part 3 – reclaiming our nature