{"id":17122,"date":"2014-09-07T13:02:06","date_gmt":"2014-09-07T17:02:06","guid":{"rendered":"https:\/\/reactivemusic.net\/?p=17122"},"modified":"2014-09-13T23:02:57","modified_gmt":"2014-09-14T03:02:57","slug":"ep-413-dsp-week-1-2","status":"publish","type":"post","link":"https:\/\/reactivemusic.net\/?p=17122","title":{"rendered":"ep-413 DSP – Syllabus"},"content":{"rendered":"

Digital Signal Processing, theory and composition<\/strong><\/h3>\n
Fall 2014<\/strong><\/h5>\n

teacher: Tom Zicarelli –\u00a0http:\/\/tomzicarelli.com<\/a><\/p>\n

You can reach me at:\u00a0 tzicarelli@berklee.edu<\/p>\n

Office hours: Monday 1:30-2:30 PM, at the EPD office #401 at 161 Mass Ave. Please email or call ahead.<\/p>\n

Assignments and class notes will be posted to this blog:\u00a0https:\/\/reactivemusic.net<\/a>\u00a0before or after the class. Search for:\u00a0ep-413<\/strong>\u00a0to find the notes<\/p>\n

Examples, software, links, and references demonstrated in class are available for you to use. If there is something missing from the notes, \u00a0please ask about it. This is your textbook.<\/p>\n

Syllabus<\/strong>:<\/p>\n

The focus will be on composition and imagination. Or composition plus science fiction. After you take the course, you will have composed several new pieces. You might design a musical instrument. You will have opportunities to solve problems. \u00a0You will become familiar with how artists use signal processing to compose and to make things. You will be exposed to to a world of possibilities – which you may embrace or reject.<\/p>\n

We will compose, by improvising, using tools that transform signals and data. \u00a0We will explore a range of methods and have opportunities to use them in projects. We’ll look at examples by artists – asking the question: How does this work?<\/p>\n

Signal processing involve one or more of the following actions:<\/p>\n